And, personally, I prefer recipes in books to recipes on the web. I don't like that there are so many recipes out there in the first place. Whenever I google something I want to make, I get that sinking hopeless feeling akin to the one I get in bookstores when, having gone blithely in for something to read, it suddenly occurs to me that there are so many books. So so many forgettable books. How will I ever choose just one? (Worse, why should I even bother to add my little offerings to the pile?)
That said, I do bother to write, both books and this blog, and my attitude toward them is so different. The web is so ephemeral-seeming. Somehow it seems a waste of time. I keep thinking, I should be putting this in a book. And then, I start a new little collection of essays for some future book. Currently, I'm working on a collection of Genesis essays, which began with my last post.
I also don't like the relative lack of authority of web recipes. Of web anything. Recipes in cookbooks carry with them the personality and habits and voice of the writer of the cookbook. Reviews of cookbooks often include information about whether or not the recipes actually work. On the web recipes are just bodiless, personality-less voices, often without names. Often there is even a disclaimer that no one has tried the recipe out in a test kitchen, so the website is not responsible for whether or not they are reliable.
Then, on top of that, there are frequently comments, readers who have objections or suggestions about this or that. A recipe dialogue it becomes to me, rather than a real recipe, and, while that may sound like a nice thing, like those recipes of our grandmothers and great grandmothers passed down and edited in each generation, for me such recipes start to mishmosh together into something like the food at chain restaurants: a cacaphony of ethnic and personal influences that seems always to include cheese, pleasant sometimes, but in no wise distinctive or personal like the food from a friend's kitchen. I prefer to stop at each new edition of a recipe and get to know just that one entry into the food, before being bombarded with all the ways I could change it from how it was supposed to be. I like savoring not just the culinary instruction of each new voice but the personality and priorities that power it, the life behind the voice that wants things richer or lighter or quicker or more redolent of an almost forgotten memory of childhood.
And anyway, I never do exactly what a recipe says myself—even though I do listen to each voice, do weigh and consider each suggestion. So, having all those tongues weighing in on how the recipe might be better—or simpler, or lower in calories or fat or sugar, or more like some anonymous woman's dead aunt used to do it—makes my own contribution to the evolution of the recipefeel like just another of many, and thus voiceless. Recipes are important, I think, representing—no, incarnating—the evolution of a culture. Incarnating a memory of a particular woman in a particular kitchen. (Yes, I know there are men who cook, but that only really started being the case when cooking evolved from the love-chores of mothers and grandmothers into a profession that could generate glitz and fame and money. In the kitchens of the wealthy, the kitchens of kings and millionares and fancy restaurants where cooks are not cooks but chefs who are known by name, cooking became something I'm not particularly interested in. A confection. A set of rules. An oeuvre. A game for hobby-gourmets. Something with which to impress one's acquaintance and far removed from the homelier comforts found, if we are among the lucky, in the kitchens of our childhoods.)
If I want to use a recipe from the web—to get back on track here—I have to either print it up before I start cooking—a task often entailing copying and editing and pasting the recipe into a Word document so that it will print efficiently—or else run back and forth between my computer and the stove. Both tasks take me out of the kitchen, into the stress and chaos of that other life of mine, where I run here and there and cut and paste and fiddle with email and websites and all the voices of the world. Cooking is the opposite for me. It has always been, from my childhood, an escape from this sort of chaos. An inward act. I prefer to prop up the book right there in the kitchen with me, jotting down the changes I make to it as I go for future reference. A recipe isn't really a recipe, to me—isn't really one to which I will return again and again—until it's been baptised with spatters and rendered transparent here and there with droplets of grease and maybe even burned a bit at the edges, as most of my favorite cookbooks are.
So, I'm not sure where my editor and I will end up in this debate. I'm also not sure how many recipes are too many. But, in the spirit of obedience—or, in any case, a trial run—I have decided to offer you all a recipe for the cake I made for my students today. The class I'm teaching this semester meets only once a week, for two and one half hours, so we make tea and I always bake something.
My friend Susan gave me this recipe as "Washington State Apple Cake. It's widely available elsewhere on the web, and, if you want to google it, you will find versions probably closer to how the recipe started out in Susan's kitchen. Her recipe had a rich cream cheese frosting, but I think that's overkill and also covers up the pretty, crusty, meringue-like top that magically forms on the cake—the best part of the recipe. So, I have omitted the frosting here. I have made other changes to the recipe in my version, such as cutting down the cinnamon significantly. Now I usually leave it out entirely. And I put the nuts on top of the batter rather than in it so that they get all toasty tasting. And I only use canola oil, which lends the cake a curiously intense walnutty flavor. The resulting recipe is, in other words, entirely my own.
Also, to save time and dishwashing, I do the whole thing with my food processor, starting with the apples using a slicing disk, then chopping the nuts, then mixing the batter. However, you can use a hand held mixer to make the batter if you don't have a food processor and then just chop the nuts and slice the apples by hand.
Crusty Apple Cake
Preheat oven to 350 degrees. Slice, sprinkle with the juice of 1/2 a lemon, and spread out in a buttered, floured 9 X 13 pan:
- 5 or 6 apples, skin and all—or peel them first, if you object to skins
- 3 large eggs
- 2 c. sugar
- 1 c. canola oil
- 1 t. vanilla
Add all at once and process/mix until smooth:
- 2 c. flour
- [1/4 t. cinnamon—I often leave this out, for a purer, nuttier, more intensely apple flavor.]
- 1 t. baking soda
- 1 t. salt
Pour, or rather scrape, batter over the apples, then top with
- 1 c. walnuts, coarsely chopped
Hope some of you try this for the people you love through food. It makes a big cake—the sort of cake you might serve at a meeting of your friends or colleagues or at church more than at an intimate family meal (unless your family is huge). Whoever eats it will like the intense nut flavor and the interesting contrast of soft, tart apples with the crusty, nutty topping.
[Don't bother to tell me how it can be improved. I know it can and hope it will be in your kitchen. But let the details remain a matter between you, God, and the people you cook for. Do let me know what you think about getting recipes from the internet in your own experience. I'm not sure I'm on the right track on this. I know getting recipes from the web is widely practiced. So somebody out there must think it's the best contribution to culinary progress since—hm, got to pick just the right cliché here—poached eggs served on a bed of creamed spinach and onions, with a toasted and buttered English muffin on the side.]